Monarch’s new album Sabbat Noir was recorded in the South of France in December 2009; it’s their first with new drummer Robert MacManus (ex Grey Daturas) and sonically a massive departure from previous releases, whilst still maintaining Monarch’s signature sound.
LP version of Sabbat Noir is now completely sold out!
Presented in a 6-panel digi pak, the CD version has the same silver layered hi gloss reflective coating as the LP version: $15AUD + postage
For orders, please email: email@example.com
Review: Aquarius Records 13/08/2010
Latest from these French ultra doom sludgelords and sludgelady, a single song spread out over two lp sides, a sprawling, lugubrious, blackened slow motion tarpit crawl, and if it was even possible, Sabbat Noir sounds and feels even more abstract and spaced out than any of the other Monarchs, which is saying a lot. Sabbat Noir is also the band’s first proper full length to feature their new drummer, Robert from the Grey Daturas, who makes himself right at home, his spare hard hitting style perfectly suited to Monarch’s weirdly dreamy doomic drift.
The record/song begins with a dense cloud of rumbles and whirs, a slow motion sub-SUNN guitar crawl, wrapped in shimmery cymbal sizzle, an epic, smoldering, slow building low end creep. Thick, almost liquid guitars ooze beneath abstract drumming, the hits ages apart, long stretches of layered guitardrone, a nearly stalled doom, that hovers and floats more than crushes or pummels. The vocals exist way off in the distance, haunting and spectral, just another layer of slow shifting sound, which gives way here and there to hushed ambience, it’s not so much a song as a sound, drifty and shimmery, and nearly ambient, it’s not until near the end of the first side that things get a little mathy and metal, the riffs coalescing into black hole crunch, the drums pounding out an almost-rhythm. The side ends, and the song picks right back up on the flipside a la Lynyrd Skynyrd, more tarpit creep, streaked with feedback, the vocals moving gradually to the fore, their presence more intense, the riffs coalescing into a more traditional doom, mournful and melancholy, like Paradise Lost or My Dying Bride, but slowed waaaaaay down, the now shrieked vox drifting over this lumbering swoonsome dour doomic miserablism, a gorgeous, desolate, somber dronedoom, that slowly sheds the doom, eventually blissing back out into some more blackened guitardrone dreaminess.
The packaging is incredible, super glossy, metallic prismatic jackets, you have to see them to believe them, easily one of the coolest looking covers ever, the front cover the Monarch logo all shiny and metallic over what appears to be hair, but follow that hair to the other side of the sleeve where you’ll find a sexy evil pic of Monarch’s vocalist Emilie all corpsepainted and hoTT, the records are pressed on 180 gram vinyl, and of course LIMITED TO ONLY 400 COPIES!!!